Podemos entãeste seguir o faro das nossas montarias até chegar onde o tesouro estaria enterrado e cavar, descobrindo produtos valiosos qual podem possibilitar ser vendidos no mercado por 1 ótimo valor.

Sephiroth creates another illusion to trick the party member holding the Black Materia to come to Cloud, who takes the Materia and explains to his friends he is a mere pawn for Sephiroth, yet another Sephiroth-clone. Hojo, who has accompanied Rufus to the crater, is at first interested in Cloud, but upon discovering Cloud doesn't have a numbered tattoo, discards him as a failure, annoyed a "failed experiment" is the only one to have made it to the "Reunion" with the true Sephiroth.

Approx. 48cm / 19inch statue depicting the iconic antagonist Sephiroth in highly detailed sculpting. The wing can be detached.

Sephiroth is followed by a group of black-robed fanatics, the Sephiroth-clones, all bearing a tattoo somewhere on their bodies placed by Professor Hojo. Despite called "clones" they are not true clones however, but normal people Hojo had injected with Jenova's cells.

The many locales follow a similar arc, the metropolis of Midgar being built over towns whose names have been forgotten, the Upper Junon destroying the fishing industry of the Old Junon, Wutai's descent into a tourist trap and the mining industry's decline having left behind the people of Kalm and Corel. This could be seen as a larger theme in the game itself, Final Fantasy VII breaking new ground in the series.

In the United Kingdom, Edge noted, "The 'interactive movie' has long been a dirty term to anyone who values a playable videogame, but FFVII succeeds in coming closer than any title yet," with the "highly complex, melodramatic story and excellently orchestrated chip music" combining "to make players feel real empathy with the characters," a "task usually shied away from by the action/comedy-orientated western graphic adventures.

Toriyama is referring to the phantoms known as Whispers, which would appear every time the plot of Remake deviated from the story told in 1997's Final Fantasy VII. By the end of Remake, Cloud and his party had successfully managed to defeat several concepts of fate, untethering itself from their destined path.

The main creative force behind the overall 3D presentation was Kazuyuki Hashimoto, the general supervisor for these sequences. Being experienced in the new technology the team had brought on board, he accepted the post at Square as the team aligned with his own creative spirit. One of the major events in development was when the real-time graphics were synchronized to computer-generated full motion video (FMV) cutscenes for some story sequences, notably an early sequence where a real-time model of Cloud jumps onto an FMV-rendered moving train.[37] The backgrounds were created by overlaying two 2D graphic layers and changing the motion speed of each to simulate depth perception.

[45] Certain tricks were used to conceal load times, such as offering animations to keep players from getting bored.[38] When it was decided to use 3D graphics, there was a discussion among the staff whether to use sprite-based character models or 3D polygonal models. While sprites proved more popular with the staff, the polygon models were chosen as they could better express emotion. This decision was influenced by the team's final fantasy 7 rebirth exposure to the 3D character models used in Alone in the Dark. Sakaguchi decided to use deformed models for field navigation and real-time event scenes, for better expression of emotion, while realistically proportioned models would be used in battles.[61] The team purchased Silicon Graphics Onyx supercomputers and related workstations, and accompanying software including Softimage 3D, PowerAnimator, and N-World for an estimated Completa of $21 million. Many team members had never seen the technology before.[37]

Their mission concluded, Cloud and the others disembark at the Sector 7 slums. Situated below the plate, no natural sunlight reaches the town, but despite its bleak appearance, this is where the members of Avalanche call home.

As of right now, Final Fantasy VII Rebirth will be a PlayStation 5 exclusive. While not particularly surprising (the current-gen console will have been out for over three years by the time of release), this might be disappointing for fans who played the first entry in the Remake trilogy on PlayStation 4.

Cid Highwind, the foul-mouthed, chain-smoking pilot of Rocket Town dreams of being the first man in space. His dreams were foiled when he was forced to abort the mission. Despite his bitter attitude, Cid has a good heart and cares about his friends.

The latter two materials can work miracles, granting the wisdom of the Ancients to the user. However, the Lifestream, like most other fuels, is finite in supply, and the Planet's lifeforce is being malevolently drained by the constant exploitation of Mako by Shinra. Though aware of the harmful effects, they function without remorse.

"[62] Paul Davies of Computer and Video Games described it as "truly unique" and "an incredible new era of interactive entertainment" that could "revolutionize" belief of "what a video game can achieve", with arguably "some of the best moments in entertainment history", including "excitement" and "heart-rendering" emotional scenes, concluding that, with a "thrilling" storyline "brought to life with ingenious" gameplay, the "future of PlayStation is assured by this key to the future of games."[41]